Hippy's Happy Film Review

Zatoichi




Details

Japan 2003 116m

Director

Takeshi Kitano

Cast

Takeshi Kitano, Tadanobu Asano, Yui Natsukawa, Michiyo Ookusu, Gadarukanaru Taka, Yuuko Daike, Daigorô Tachibana, Ittoku Kishibe, Saburo Ishikura, Akira Emoto



Samurai Swordsmen Go Tap Dancing
The first cut is the deepest


Different or just plain daft ? With Zatoichi it's hard to say, as it slams Last of the Samurai sword play up against Bollywood and throws in some comedy along the way.

Where Zatoichi was trying to go was, at times, beyond me. The story was clear enough - Samurai warrior turns up, helps the good guys, kills the bad guys, and goes on his way - and nothing new. Had it stuck with its core element, it may have done better, but Takeshi veers off for interludes more befitting of a musical and introduces set comedy pieces for no explanable reasons. Perhaps there was some 'in joke' but if there was, it was lost on me.

Takeshi played the lead role well, although I find it hard to entertain the concept of a blind masseur who can can slice a dozen men in two with the flick of the wrist. It was equally unexplained why we have a peroxide blond in the first place, but that's the least of the film's problems.

Despite its fast action sequences, the film dragged, although it did have its moments. The 'musical numbers' were misplaced, and the comedy artificial and contrived. The only really humorous character, the neighbouring 'idiot' who wanted to be a Samurai, fitted in well but was never developed, and the ludicrous Tap Dancing festival the film ended on was plain unbelievable.

The swordplay was excellent although the CGI inserted blood splattering was rather poorly done, and cannot escape on an excuse of being stylised. From the director's chair it appeared that Takeshi was unsure how to call the shots; whether to go for a full-on blood-fest or take a more restrained approach. In the end it seems he settled on something in between.

Like Crounching Tiger, Leaping Dragon, there was an opportunity here for an excellent tale of Samurai skills and values, let down by weaknesses elsewhere. Unlike the former though, it never carried its core story off as well. It was a mixed bag which will probably be hated or adored, or it will create an ambivalence brought about through the feeling of having watched more than one film at the same time.





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First published on Tuesday the 1st of June, 2004 at 23:17:57
Last upload was on Tuesday the 10th of August, 2004 at 23:00:29