The King is Dead - Long Live The King



There was a time when Singles Chart success meant something.

Not any more.



Elvis Prestley posthumously earns the recognition of having taken the 1,000th Number One spot in the UK Singles Chart, but others see it as a hollow achievement, and a cynical manoeuvre by the record company to generate publicity.

The re-release of the 1959, One Night has put Elvis back in the headlines having secured a number one position in the previous week with a re-release of Jailhouse Rock.

Quite impressive at first glance, but getting a number one position in the UK these days is a pretty easy affair; Jailhouse Rock made it having sold 21,262 copies, and One Night earned Elvis his "Astounding achievement" applause on an even lower sales figures of just 20,463.

Hardly impressive, and the fact that both singles were released as limited editions of just 30,000 guaranteed stock which would be shifted in the week they were released has been seen as cynical manipulation of the charts.

Headline scoring that it is, the issue has highlighted just how irrelevant the UK Singles market has become. What has been a play to promote and capitalise on Elvis's career and musical offerings may well have just brought the whole sorry fiasco of the Singles Chart finally tumbling to the ground.

Gone are the days when a Number One indicated incredibly large record sales and the position had some vestige of achievement with it, carrying an implicit authentication of quality and admiration. Almost anyone could secure a Number One in the UK these days, if not by selling records, as it is obvious no one is buying, but by the old trick of record sales manipulation.

Anyone with a hundred grand or so to spend, and an ability to target the shops used to measure sales could earn themselves a Number One position and the fame and fortune which accompanied it. It was an underhand trick executed by record companies and their shady accomplices when sales really were huge, and even easier to pull off now.

When millions of dollars are spent on promoting a band, a few thousand more spent by the record companies to secure a Number One would be a wise investment, and it would be surprising if they wouldn't see that too.

The fact that they don't manipulate the charts shows that even they don't consider it worthwhile and that the Singles Chart isn't worth the paper it's printed on. Then again, perhaps they do still manipulate; it would certainly explain what many see as dross which fills the upper echelons of the Singles Chart over recent years.

While the announcement of the latest Chart was eagerly awaited upon not that long ago, it is now a relic of the past and generally dismissed or ignored by the public.

Well done to RCA who are capitalising on the situation, and they are getting a lot of free publicity for their stunt, perhaps making more money through that than their Elvis re-release campaign is going to make them with the limited runs of each release. Needing just 30,000 fans to snap up a 'must have' record will make sales easy, and recuperate costs. Everything else is a bonus, and apparently being played for all it's worth.

The most obvious downside of an ongoing release schedule in a depressed Singles market is that we will have to endure a chart almost entirely dominated by Elvis re-releases in the future. If that does happen, I guess we can rename the Singles Chart, the Elvis Chart, and discount it entirely; "Who's Number One ?", "Elvis", "Oh. Again ?"

Saying goodbye to the Singles Chart would be no great loss, and it's well past its time of retirement. It serves no obvious or meaningful purpose any more. There is also the danger, that now RCA has pulled off its achievement, others may also jump on the band-wagon. Just how sad would a chart dominated almost entirely by the singers of the past be, and especially if the record company buyers are out there rigging the charts to get their favoured artist to Number One ?

The people I feel sorry for are those true Elvis fans who will see 'The King' being ridiculed and the worth of his work diminished by the sham revealed. Although I'm not what one would even call an Elvis fan, it is regrettable that he and his music are being exploited for publicity purposes; he and his fans deserve better than that.

But that is a reminder of the essence of Rock and Roll and the music biz in general; the musicians and their fans get shafted while the Record Bosses roll naked in baths of dollar bills, sucking on big fat cigars.

Nothing changes.





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First published on Monday the 17th of January, 2005 at 18:03:20
Last upload was on Monday the 17th of January, 2005 at 18:14:48