The BAFTA's, 1999



The reputation of BAFTA has been put back by at least a decade or more.



The BAFTA's are the British equivalent of the American Academy Awards, the much more renowned Oscars, and usually offset the, not uncommon, prejudices which the American's show towards their own, home grown, block-busting, Tinsel Town manufactured, so-called gems.

This year the nepotistic, jingoism has swung the other way.

Whilst I feel that the Academy Awards were rather fairly balanced this year I don't think the same can be said of the BAFTA's.

Surprise, surprise; Elizabeth came romping home with the majority of awards (6) pushing the infinitely better Shakespeare In Love into second place (4).

Whilst Elizabeth may have been the only totally British film to have made it big last year ( although the global impact of Lock, Stock and Two Smoking Barrels is yet to be seen - it did, rightfully win the Orange Audience Award ) it doesn't necessarily make it the best film released.

If the BAFTA's were solely about British films then perhaps the result couldn't be severely criticised; there aren't that many British candidates in the running anyway although last year was better than many others ( Elizabeth, Little Voice, Lock, Stock and Two Smoking Barrels, Shakespeare In Love and Velvet Goldmine ).

But BAFTA Awards are not just about British films or influence. They may have been once; which is why BAFTA's were never taken seriously.

Such excessive, and obvious, heaping of praise on a patently home-grown film does nothing to raise the perception of the BAFTA's in the eyes of the global village.

The damaging decision to raise Elizabeth above the shoulders of all others is compounded by giving The Truman Show more awards (3) than Saving private Ryan (2).

I'd have gone with a close call between Shakespeare In Love and Saving Private Ryan, but, The Truman Show ? Elizabeth ?

Something is seriously rotten in the voting booths of BAFTA; viewing the films themselves makes it hard not to see it clear and obvious.

For self indulgent back-slapping, the BAFTA voters have excelled themselves; their patriotic bigotry has shone through.

The very same people who are obviously determined and content to ensure that British, historical, costume drama is seen to be better than anything else are, undoubtedly, the very same who believe Opera and Ballet should be financially supported as the highest Art Form despite the public's clear rejection of such notions.

The awards, I'm afraid, have done nothing but show the elitism in British film making which I thought had at last been banished.

And it has put the reputation of BAFTA back at least a decade or more.





Associated Articles

  The Oscars, 1999
  Elizabeth
  Lock, Stock and Two Smoking Barrels
  Saving Private Ryan
  Shakespeare In Love
  The Truman Show



Site Navigation

  Home Page
  What's New
  Search
  Add Bookmark
  Have Your Say
  Guestbook




First published sometime before Friday the 10th of September, 1999
Last upload was on Wednesday the 7th of January, 2004 at 06:10:51